Limelta, Andrew and Paramita, Sinta Makna Wayang Golek si Cepot pada Masyarakat Sunda Milenial dan Generasi Z. Makna Wayang Golek si Cepot pada Masyarakat Sunda Milenial dan Generasi Z.
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Abstract
In 2003 wayang was recognized by UNESCO as a global masterpiece as well as an intangible cultural heritage. Sundanese culture recognizes the legacy of wayang golek originating from the West Java region, and is usually realized through the display of props or puppets as a dualistic depiction of Javanese minds. In puppet show there are characters and characters that are played, but usually people are more familiar with the character of the Cepot who is considered as a entertainer and identity of the Sundanese. The purpose of this study was to see the meaning of the Cepot figure in puppet show art towards millennial Sundanese people and generation Z. The theories used in this study were the theory of communication, puppetry, and the concept of meaning. In this case the data obtained through the results of observations and interviews. The conclusion in this study is that the Sundanese generation of generation millennial and generation Z considers the puppet show as an important art, but no longer as the main consumption. Besides that, there is a loss of elements from the Cepot character in the puppet show, even the Sundanese people consider the Cepot figure only as an entertaining figure.
Item Type: | Article |
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Subjects: | Penelitian > Fakultas Ilmu Komunikasi |
Divisions: | Fakultas Ilmu Komunikasi > Ilmu Komunikasi |
Depositing User: | Puskom untar untar |
Date Deposited: | 04 Jan 2021 11:14 |
Last Modified: | 04 Jan 2021 11:14 |
URI: | http://repository.untar.ac.id/id/eprint/14219 |
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